#Iron curtain red alert series

Once the player reaches the main menu, however, it becomes apparent that the WW2 we knew has been unintentionally replaced by a new timeline, in which the Allies and the Soviets, not the Allies and the Axis, battled using a range of new, and imagined, technologies. Upon returning to the present, EinsteinвЂ™s assistant questions him about the success of the mission and the implied impact: he replies that only вЂњtime will tellвЂќ.

Red AlertвЂ™s central conceit is that Albert Einstein created a time-machine, went back in time to вЂњLandsberg, Germany, 1924вЂќ, and erased a young Adolf Hitler from history.

#Iron curtain red alert series

How did the Red Alert games in the Command and Conquer series use these aesthetics to tell stories? How does its art and design narratologically locate the different editions in the series? How did it thematically navigate between overlapping realities and architectures? Red Alert Click To TweetДЄctual history met alternate history, as objects we might recognize in the everyday stood alongside objects from worlds we have never visited. Red Alert blended the real and the imagined. Warcraft II depicts a fantasy medieval world of humans, elves and orcs, Starcraft paints a futuristic world where humans share the galaxy with the aloof aesthete Protoss and the inhumanly ravenous Zerg, and Total AnnihilationвЂ™s far-future galactic war is fought between the centralized Core and the decentralized Arm - but Red Alert was set in around the Second World War, with a little bit of a sci-fi twist. Red Alert 1, released in 1996, was one of the few Real-Time Strategy (RTS) releases of its era to shy away from a historical fantasy or far-future sci-fi setting.